Hebrew

Readings in translation and discussion of texts of Middle Eastern and Indian origin. Readings may include the Quran, Islamic philosophy, Sufi poetry, the Upanishads, Buddhist sutras, the Bhagavad Gita, Indian epics and drama, and Gandhis Autobiography.

Readings in translation and discussion of texts of Middle Eastern and Indian origin. Readings may include the Quran, Islamic philosophy, Sufi poetry, the Upanishads, Buddhist sutras, the Bhagavad Gita, Indian epics and drama, and Gandhis Autobiography.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

Introduces distinctive aesthetic traditions of China, Japan, and Korea--their similarities and differences--through an examination of the visual significance of selected works of painting, sculpture, architecture, and other arts in relation to the history, culture, and religions of East Asia.

Introduces distinctive aesthetic traditions of China, Japan, and Korea--their similarities and differences--through an examination of the visual significance of selected works of painting, sculpture, architecture, and other arts in relation to the history, culture, and religions of East Asia.

This course is a requirement for AMEC majors and should be taken in the junior year. In this semester
students are introduced to Asian and Middle Eastern studies as academic disciplines and explore
theories and methods of interdisciplinary research. Through a variety of readings and workshops,
students gain experience discussing their area of interest comparatively and practice synthesizing work
from related fields.

“Pan Africanist” ideologies were very diverse from Garveyism, Negritude to the various African America, Caribbean and African discourses of “neo-pharaohnism” and “Ethiopianism.” This seminar explores how Black leaders, intellectuals, and artists chose to imagine Black (Africans and people of African descent) as a global community from the late 19th century to the present. It examines their attempts to chart a course of race, modernity, and emancipation in unstable and changing geographies of empire, nation, and state. Particular attention will be given to manifestations identified as their common history and destiny and how such a distinctive historical experience has created a unique body of reflections on and cultural productions about modernity, religion, class, gender, and sexuality, in a context of domination and oppression.

This graduate seminar will expose students to major themes and issues in the study of South Asia. The course will provide a serious intellectual foundation for students wishing to pursue specialized, directed research in the region.

Broadly speaking, themes for consideration include: cultural history and early modernity; capitalism and political economy; genealogies of political thought; anticolonialism; caste and religion; and gender and feminist history.

The thematic focus of the seminar will change each time it is taught. However, the pedagogical aims of the seminar will remain constant. That is, to maintain a focus on discussions about the archive; conducting field research; framing a robust research question, and more.

An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

Prerequisites: First Year Arabic I or instructor permission. An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

Prerequisites: First Year Arabic I or instructor permission. An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

Prerequisites: First Year Arabic I or instructor permission. An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES UN1501, or the equivalent, based on performance on the placement test. Continued introduction to Hebrew, with equal emphasis on all languages skills. (See MDES UN1501.) No P/D/F or R credit is allowed for this class.

Prerequisites: MDES UN1501, or the equivalent, based on performance on the placement test. Continued introduction to Hebrew, with equal emphasis on all languages skills. (See MDES UN1501.) No P/D/F or R credit is allowed for this class.

Prerequisite: one semester of prior coursework in Urdu for Heritage Speakers I (UN1615) in the Fall semester, or the instructor’s permission. This is an accelerated course for students of South Asian origin who already possess a knowledge of basic vocabulary and limited speaking, listening, reading and writing skills in Urdu. For instance, they should be able to converse, comprehend, read and write on familiar topics in Urdu such as: self, family, likes, dislikes and immediate surroundings. This course will focus on developing knowledge of the basic grammar of Urdu and vocabulary enrichment by exposing students to a variety of cultural and social topics related to aspects of daily life; and formal and informal registers. Students will be able to read and discuss simple Urdu texts and write about a variety of everyday topics by the end of the semester. No P/D/F or R credit is allowed for this class. 

This course introduces students to South Asia through
an analysis of the heterogeneity, richness, and
complexity of the region’s conflicted pasts. Our
historical scope is vast and ambitious, starting with the
earliest urban settlements in about 2000BCE and
ending in the present. Though focused on “South
Asia,” the course problematizes the bounded areal
model by emphasizing the region’s enduring
connections to Eurasia, Africa, Southeast Asia, and
the broader Indian Ocean world. With connected
history as our method, the course asks students to
grapple with South Asia’s literary, religious, and
political histories as kinetic processes. This allows us to
ask probing questions about issues that have had, and
continue to have, major implications for the region––
and the world––today: sovereignty, power, gender,
community, devotion, piety, secularism, democracy,
violence, and the nation itself.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Discussion section to accompany the course, MDES UN1630 Introduction to South Asia.

Prerequisites: MDES UN1901 An introduction to the written and spoken language of Turkey. No P/D/F or R credit is allowed for this class.

This seminar investigates the concepts of ethnicity, race, and identity, in both theory and practice,
through a comparative survey of several case studies from the Pre-Modern history of the Middle East.
The course focuses on symbols of identity and difference, interpreting them through a variety of
analytical tools, and evaluating the utility of each as part of an ongoing exploration of the subject. The
survey considers theories of ethnicity and race, as well as their critics, and includes cases from the
Ancient World (c. 1000 BCE) through the Old Regime (c. 1800 CE).

Students in this course will gain a familiarity with major theories of social difference and alterity, and
utilize them to interpret and analyze controversial debates about social politics and identity from the
history of the Middle East, including ancient ethnicity, historical racism, Arab identity, pluralism in the
Islamic Empire, and slavery, among others. In addition, students will spend much of the semester
developing a specialized case study of their own on a historical community of interest. All of the case
studies will be presented in a showcase at the end of the semester.

All assigned readings for the course will be in English. Primary sources will be provided in translation.
The course meets once a week and sessions are two hours long.

Contemporary discussions about racism have tended to focus on the experience of North Atlantic slave trade, and theoretical debates tend to rely upon American experiences of racialization. However, there is substantial variation in the contours of racism across time and space. Relatedly, strategies for resistance to racism also vary significantly. It is important to think through the political and theoretical implications of potential differences in experiences and forms of racism in the global south. To this end, this course attempts to provide an insight into both historical and ideational variation. We will engage with historical research as well as the political ideas of particular thinkers grappling with the challenge of modern racism.

At the same time as exploring the variation in historical, regional and ideational debates we will pay considerable attention to the arguments proposed by many global south thinkers about homogenization under global capitalism. The mutual imbrication of modern racism and capitalism has been an important concern for many 20th century Global South thinkers and it is useful to think through their arguments regarding simultaneous homogenization and differentiation built into capitalism. While ‘non-Western’ or Global South thinkers have addressed questions of race and racism in important ways, some have also voiced racist views of their own. The course draws upon scholarship in Postcolonial Theory, Black Marxist and Radical thought, and Comparative Political Theory, as well recent comparative historical research on questions of slavery and racialization. 

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: Second Year Hebrew: Intermediate I or instructor permission. Equal emphasis is given to all language skills. Irregular categories of the Hebrew verb, prepositions and syntax are taught systematically. Vocabulary building. Daily homework includes grammar exercises, short answers, reading, or writing short compositions. Frequent vocabulary and grammar quizzes. (Students completing this course fulfill Columbia College and Barnard language requirement.) No P/D/F or R credit is allowed for this class.

One year of prior coursework in Elementary Hindi-Urdu I&II or the instructor’s permission. The course aims to continue consolidating and building upon the existing listening, speaking, reading, writing and cultural skills and will help students acquire higher level proficiency in Hindi language. Students will be introduced to new grammatical structures and a broad range of vocabulary through exposure to a variety of authentic materials including Hindi literature, newspapers, folk tales, films, songs, and other kinds of written and audio-visual materials and through these materials. Students will expand their knowledge base of the society and culture of the target languages in this course. No P/D/F or R credit is allowed for this class.

Gandhi is in two senses an extraordinary figure: he was the most important leader of anti-imperialist movements in the twentieth century; yet, his ideas about modernity, the state, the industrial economy, technology, humanity’s place in nature, the presence of God - were all highly idiosyncratic, sometimes at odds with the main trends of modern civilization. How did a man with such views come to have such an immense effect on history? In some ways, Gandhi is an excellent entry into the complex history of modern India - its contradictions, achievements, failures, possibilities. This course will be primarily a course on social theory, focusing on texts and discursive exchanges between various perceptions of modernity in India. It will have two parts: the first part will be based on reading Gandhi’s own writings; the second, on the writings of his main interlocutors. It is hoped that through these exchanges students will get a vivid picture of the intellectual ferment in modern India, and the main lines of social and political thought that define its intellectual culture. The study in this course can be followed up by taking related courses in Indian political thought, or Indian politics or modern history. This course may not be taken as Pass/D/Fail.

This course explores how civil war, revolution, militarization, mass violence, refugee crises, and terrorism impact urban spaces, and how city dwellers engage in urban resilience, negotiate and attempt to reclaim their right to the city. Through case studies of Beirut (1975-present), Baghdad (2003-present), Cairo (2011-present), Diyarbakir (1914-present), Aleppo (1914-present), and Jerusalem (1914-present), this course traces how urban life adjusted to destruction (and post-conflict reconstruction), violence, and anarchy; how neighborhoods were reshaped; and how local ethnic, religious, and political dynamics played out in these cities and metropolises. Relying on multi-disciplinary and post-disciplinary scholarship, and employing a wealth of audiovisual material, literary works, and interviews conducted by the instructor, the course scrutinizes how conflicts have impacted urban life in the Middle East, and how civilians react to, confront, and resist militarization in urban spaces.

This class offers a survey of major works of twentieth-century South Asian literature. We will read
Raja Rao, Rokeya Hossain, Ismat Chughtai, Viswanadha Satyanarayana, Amrita Pritam, and
Romesh Gunesekera. Emphasis will be placed on studying the thematic, formal, and stylistic
elements of works and developing critical skills necessary for literary analysis. Works will engage
with questions of nation & nationalism, gender & sexuality, caste, environment, and literary history.

This course studies and  explores a  number of Iraqi narratives that have appeared since 2003 and that have a distinctive stylistic and thematic richness with great bearing on social, economic, cultural, and political life in Iraq. Seen against a history of the country and the region, and in conversation with some Afro-Asian and Latin American narratives of war and displacement, these writings assume  global  significance in our reading of  such thematic issues  like war, love, exile, and loss. While always using the past as a background, a source and repository of recollections, the challenge of the 2003 Anglo-America invasion and its institutionalization of segregation and   rupture to keep Iraq in perpetual chaos, is present in the texts. Every narrative sheds light on a number of issues, especially war, horror, loss, trauma, passion and dislocation. This richness in detail is brought up through a number of stylistic innovations that put this writing at the forefront of world cultures and human concerns. An introductory lecture builds up a genealogy for trauma since the Epic of Gilgamesh (2700 BC.) and the lamentations of Astarte. 

The MESAAS honors seminar offers the opportunity to undertake a sustained research project working closely with an individual faculty adviser. It also enables you, as part of a small group of MESAAS students working with the seminar instructor, to develop the skills of academic research and writing and learn how to collaborate with peers and create an engaged intellectual community. This 3-point seminar continues the work begun in the Fall semester of the senior year in MDES 3960 Honors Thesis Seminar Part 1.

The main task of this course will be to read novels by African writers. But the novel in Africa also involves connections between the literary genre of the novel and the historical processes of colonialism, decolonization, and globalization in Africa. One important question we'll consider is how African novels depict those historical experiences in their themes and plots—we'll read novels that are about colonialism, etc. A more complex question is how these historical processes relate to the emergence of the novel as an important genre for African writers. Edward Said went so far as to say that without imperialism, there would be no European novel as we know it. How can we understand the novel in Africa (whether read or written) as a product of the colonial encounter? How did it shape the process of decolonization? What contribution to history, whether literary or political, does the novel in Africa make? We'll undertake a historical survey of African novels from the 1930s to the present, with attention to various subgenres (village novel, war novel, urbanization novel, novel of postcolonial disillusion, Bildungsroman). We'll attend to how African novelists blend literate and oral storytelling traditions, how they address their work to local and global audiences, and how they use scenes of characters reading novels (whether African or European) in order to position their writing within national, continental, and world literary space.

Prerequisites: MDES W4212. Through reading articles and essays by Arab thinkers and intellectuals of the Twentieth century, starting from the period called Nahda (Renaissance), such as Taha Hussein, Qasim Amin, Abdallah Laroui, Abed Al-Jabiri, Tahar Haddad, Fatima Mernissi and others, students will be able to increase their fluency and accuracy in Arabic while working on reading text and being exposed to the main
themes in Arab thought. The course works with all four skills (listening, speaking, reading and writing). Arabic is the language of instruction. No P/D/F or R credit is allowed for this class.

Through reading and writing, students will review Arabic Grammar concepts within the context of linguistic functions such as narration, description, comparison, etc. For example, within the function of narration, students will focus on verb tenses, word order, and adverbials. Based on error analysis in the past twelve years that the Arabic Program has been using Al-Kitaab, emphasis will be placed on common and frequent grammatical errors. Within these linguistic functions and based on error analysis, the course will review the following main concepts: Types of sentence and sentence/clause structure. The Verb system, pattern meanings and verb complementation. Quadriliteral verb patterns and derivations. Weak Verbs derivations, conjugation, tense frames and negation. Case endings. Types of noun and participle: Noun of time, place, instance, stance, instrument, active and passive participles. Types of construct phrase: al-iDafa. Types of Adverbials and verb complements: Hal, Tamyiz, Maf’ul mutlaq, Maf’ul li’ajlihi, adverbs of time, frequency, place and manner. The number system and countable nouns. Types of maa.Diptotes, al-mamnu’ min-aSSarf. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES UN2202 This is an introductory course to Levantine Arabic for students who have completed two years of Standard Arabic studies, at the Intermediate level. The course is designed to further develop fluency in oral communication, through building students’ familiarity with a less formal register of Arabic, namely the Levantine dialect. The course will convert and recycle some of the previous Standard Arabic knowledge to the dialect, by comparing their prior knowledge to its dialectal counterpart; while at the same time developing students’ new communicative skills in a diverse range of contexts that are essential in any conversational interaction. The course will build students abilities to interact effectively in various areas where Levantine Arabic is spoken. In addition to varied thematic topics, the course exposes students to cultural aspects specific to the region. Additionally, the course will work on both constructing students’ knowledge of dialectal diction as well as other grammatical features of the dialects. Even though the course is designed for communication in the four skills (reading, writing, listening and speaking), the emphasis will be mostly on speaking and listening. No P/D/F or R credit is allowed for this class.

This course works along a number of axial structures that   aim to let texts voice their informing theoretical, political, and poetic strategies. It draws on war narratives in other parts of the world, especially Vietnam, insofar as these find their way into Arabic writing. A poetics of prose gives these narratives the power of literary production that makes them more readable, appealing, and provocative than ordinary journalistic reporting.

Through close readings  of  a number of  Arabic war novels and  some long narrative poems, this course  proposes to  address war in its varieties  not only as liberation movements in  Algeria and Palestine,  but also  as an engagement with  invasions, as in  Iraqi narratives of war, or  as conflict as was the case between Iran and Iraq, 1980-1988,  as proxy wars in other parts of the region , or ‘civil’ wars generated and perpetuated by big powers. Although writers are no longer the leaders of thought as in the first half of the 20th century, they resume different roles of exposition, documentation, reinstatement of identities, and geographical and topographical orientation. Narrators and protagonists are not spectators but implicated individuals whose voices give vent to dreams, desires, intimations, and expectations. They are not utterly passive, however. Behind bewilderment and turbulence, there is a will to expose atrocity and brutality. Writing is an effort to regain humanity in an inhuman situation.

The course is planned under thematic and theoretical divisions: one  that takes  writing as a deliberate exposure  of the censored and repressed; another as  a counter shock and awe strategy [ implemented under this name in the wars on Iraq]   whereby brutalities are laid bare; and a third  that claims reporting  in order to explore its limits and complicity. On the geographical level, it takes Algeria, Palestine as locations for liberation movements; Iraq as a site of death; Egypt as the space for statist duplicity  and camouflage; and Lebanon as an initial stage for a deliberate exercise in a seemingly civil war.

A number of films will be shown as part of students’ presentations.

“The possibility of pogroms,” claims Theodor Adorno, “is decided in the moment when the gaze of a fatally-wounded animal falls on a human being. The defiance with which he repels this gaze—’after all it's only an animal’—reappears irresistibly in cruelties done to human beings.” This course traces the development of Modern Hebrew literature, from its fin-de-siècle revival to contemporary Israeli fiction, through the prism of animality and animalization. We will focus on human-animal relations and animalization/dehumanization of humans in literary works by prominent Hebrew authors, including M.Y. Berdichevsky, Devorah Baron, S.Y. Agnon, Amos Oz, David Grossman, Orly Castel-Bloom, Almog Behar, Etgar Keret, and Sayed Kashua. Employing posthumanist and ecofeminist theoretical lenses, we will analyze the bio-political intersections of species and gender, as well as animalization as a process of otherization of marginalized ethnic groups. Throughout the course, we will ask questions, such as: why animals abound in Modern Hebrew literature? Are they merely metaphors for intra-human issues, or rather count as subjects? What literary devices are used to portray animals? How has the depiction of human-animal relations changed in Hebrew over the last 150 years? How do cultural and political frameworks inform representations of human-animal relations? No prior knowledge of Hebrew is required; all readings and class discussions will be in English. Course participants with reading knowledge of Hebrew are encouraged to consult the original literary texts, provided by the instructor upon request.

Two semesters of prior coursework in Urdu for Heritage Speakers (Urdu for Heritage Speakers I and II) or one semester of Advanced Urdu or the instructor’s permission. This course is a literary course, with in-depth exposure to some of the finest works of classical and modern Urdu poetry i.e. genres of ghazal and nazm. This course is open for both undergraduates and graduates. No P/D/F or R credit is allowed for this class.

This seminar aims to introduce graduate students to the major subfields making up the Sharīʿa system, both in its theoretical as well as practical and institutional manifestations. We will be dissecting representative texts from each genre, all in the Arabic original, ranging from works on the psychoepistemic foundations of the law, to legal theory, the judiciary and juridico-political practice, legal education, biographical constructions of authority, and economic and political management by the Sharīʿa. Theoretically, we will be drawing on historical and cultural anthropology, political theory, Critical Theory, the theories of the subject, and constitutional studies, among others. A reasonable success in this course will permit the student to comfortably specialize in any Sharīʿa subfield.

This course will seek to analyze some philosophical and interpretative problems raised by recent works in a field generally described as 'postcolonial theory'. At the center of the discussion would be the themes of Eurocentrism and Orientalism. While the questions associated with this field are highly significant, there is much that is indeterminate about this area of social theory. The course will start with an historical analysis of the original debates about 'Orientalism' and the nature of its arguments. It will start with a preliminary reading of Said’s Orientalism. It will then take up for a direct critical examination textual traditions that were the objects of the Orientalism debate – representative examples of European Orientalist literature – which claimed to produce, for the first time, 'scientific' studies of Oriental societies (work of linguists like William Jones, or historians like James Mill), studies of Middle Eastern Islamic societies analyzed by Said, segments of philosophies of history which dealt with non-European societies and found a place for them in a scheme of 'universal history' ( Hegel, Marx, Mill, Weber). We shall then turn to ask if social science knowledge about non-European societies still carry the methodological features of Orientalism. As Orientalism spread across different fields of modern culture – not just academic knowledge, but also art and aesthetic representations,  the next two weeks fictional and visual representations will be taken up for critical analysis.  This will be followed by a study of texts in which intellectuals from non-European societies from Asia and Africa responded to the cognitive and cultural claims of the European Orientalist literature. In the last section the course will focus on three aspects of the postcolonial critique:

1. the question of representation ,
2. the question of the writing of history, and
3. the logic of basic concepts in social sciences.

Prerequisites: Advanced Swahili I or the instructor's permission. An introduction to the advanced syntactical, morphological, and grammatical structures of Swahili grammar; detailed analysis of Swahili texts; practice in conversation. No P/D/F or R credit is allowed for this class.