Turkish

Readings in translation and discussion of texts of Middle Eastern and Indian origin. Readings may include the Quran, Islamic philosophy, Sufi poetry, the Upanishads, Buddhist sutras, the Bhagavad Gita, Indian epics and drama, and Gandhis Autobiography.

Readings in translation and discussion of texts of Middle Eastern and Indian origin. Readings may include the Quran, Islamic philosophy, Sufi poetry, the Upanishads, Buddhist sutras, the Bhagavad Gita, Indian epics and drama, and Gandhis Autobiography.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

This course explores the core classical literature in Chinese, Japanese and Korean Humanities. The main objective of the course is to discover the meanings that these literature offer, not just for the original audience or for the respective cultures, but for us. As such, it is not a survey or a lecture-based course. Rather than being taught what meanings are to be derived from the texts, we explore meanings together, informed by in-depth reading and thorough ongoing discussion.

Introduces distinctive aesthetic traditions of China, Japan, and Korea--their similarities and differences--through an examination of the visual significance of selected works of painting, sculpture, architecture, and other arts in relation to the history, culture, and religions of East Asia.

This course explores the Crusades from the perspective of those who were invaded. We will place most emphasis on the period from 1095 to 1291, from the First Crusade to the moment when the Mamluks expelled the Latin Crusaders from the Middle East. Through both secondary sources and primary sources, we will aim to understand how Muslims, Jews, and Eastern Christians responded to the presence of invaders from Latin Europe.

Introduction to Indian civilization with attention to both its unity and its diversity across the Indian subcontinent. Consideration of its origins, formative development, fundamental social institutions, religious thought and practice (Vedic, Buddhist, Jain, Hindu, Muslim, and Sikh), literary and artistic achievements, and modern challenges.

This seminar focuses on Arabic literature in the world, as World Literature. The focus will be on pre-modern and modern Arabic literary works that traveled and circulated and were adapted to and acquired individual meanings in different cultures. We will look at literary works that achieved ‘worldliness’ through either writing back to the center or through
international literary prizes. We will consider how literary works travel and circulate through their fusion with regional concepts, or even take on new meanings at different times and places. Admittedly, also, we will look into the strengths, weaknesses, and criticism surrounding World Literature.

This course covers the epistemologies and main theological and philosophical standpoints of a wide range of Islamic intellectual traditions. It will explore how different groups of scholars accumulated knowledge of God and the universe in the Classical Islamic world, a period which in many ways can be considered formative for contemporary Islam. We focus on various bodies of knowledge as these were developed from the 7th-c. 13th centuries AD. Each week covers a separate theological, philosophical, or scientific tradition, after which the class will explore the tensions and syntheses between various competing worldviews.

This undergraduate course offered in the context of the Global Core component of the Core Curriculum is an examination of the globally popular HBO series “Game of Thrones” as a prototype for a comparative understanding of the larger question of epics and empires.  In this course we expand the domains of our interests and inquiries far wider and divide our syllabus into four parts: (1) Westeros: The Mythic Empire; (2) Persia:  The First Empire, (3) America: The Last Empire; and (4) On Epics and Empires.  Our objective will be to examine the main themes and overall arch of “Game of Thrones” into wider mythic, heroic, and transhistorical dimensions of our contemporary history.  

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.

An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

Prerequisites: First Year Arabic I or instructor permission. An introduction to the language of classical and modern Arabic literature. No P/D/F or R credit is allowed for this class.

In Elementary Armenian I, students learn the Armenian script and the basic grammar that will enable them to communicate about topics relating to themselves and their immediate surroundings: family, school, daily occupations, describing people, expressing likes and dislikes, requesting and giving information about themselves and others, proper forms of greetings, etc. They also begin to read signs, advertisements, and develop the skills to read texts like short stories and Armenian fables. No P/D/F or R credit is allowed for this class.

This is an introductory course for which no prior knowledge is required. Equal emphasis is given to listening, speaking, reading, writing and grammar. Daily homework includes grammar exercises, short answers, reading, or paragraph writing. Frequent vocabulary and grammar quizzes. No P/D/F or R credit is allowed for this class.

This is an introductory course for which no prior knowledge is required. Equal emphasis is given to listening, speaking, reading, writing and grammar. Daily homework includes grammar exercises, short answers, reading, or paragraph writing. Frequent vocabulary and grammar quizzes. No P/D/F or R credit is allowed for this class.

Prerequisites: a knowledge of basic vocabulary and limited speaking and listening skills in Urdu. This is an accelerated course for students of South Asian origin who already possess a knowledge of basic vocabulary and limited speaking and listening skills in Urdu. They are not expected to know how to read and write in Urdu but are able to converse on familiar topics such as self, family, likes, dislikes and immediate surroundings. This course will focus on developing knowledge of the basic grammar of Urdu and vocabulary enrichment by exposing students to a variety of cultural and social topics related to aspects of daily life; and formal and informal registers. Students will be able to read and discuss simple Urdu texts and write about a variety of everyday topics by the end of the semester. No P/D/F or R credit is allowed for this class.

In this course we will study the late colonial and early post-colonial periods of South Asian history together. Some of the events we will cover include: the climax of anti-colonial movements in South Asia, WWII as it developed in South and Southeast Asia, the partition of British India, the two Indo-Pakistan wars, and the 1971 Bangladesh War. While we will read selected secondary literature, we will focus on a range of primary sources, including original radio broadcasts and oral history interviews. We will also study artistic interpretations of historical developments, including short stories and films. In this course, we will strive to remain attentive to the important changes engendered by colonialism, while simultaneously recognizing the agency of South Asians in formulating their own modernities during this critical period. We will also seek to develop a narrative of modern South Asian history, which is attentive to parallel and/or connected events in other regions.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

This colloquium is a course on many influential texts of literature from Ancient Near Eastern cultures, including Sumerian, Egyptian, Babylonian, Assyrian, Hittite, Canaanite, and others. The emphasis is on investigating the literary traditions of each culture – the subject matter, form, methods, and symbolism– that distinguish them from one another and from later traditions of the Middle East. The course is not
a “civilization” course, nor is it a history class, although elements of culture and history will be mentioned as necessary. The course is intended to provide a facility with, and an awareness of, the content and context of ancient works of literature in translation from the Ancient Middle East.

Students in this course will gain a familiarity with the major cultures of the Ancient Middle East, the best known and most remarked upon stories, and the legacy of those works on some later traditions. The course is organized thematically in order to facilitate comparison to the materials in similar courses at Barnard and Columbia. The approach will be immediately familiar to students who have previously taken Asian Humanities (AMEC) or Literature-Humanities (Core), but the course does not require any previous experience with literature or the Ancient Near East and is open to everyone.

All assigned readings for the course will be in English. The course meets once a week and sessions are two hours long.

This course focuses on Modern Hebrew grammar, and verb conjugation in particular. It is designed for students with substantial knowledge of Modern Hebrew. Over the semester, students will systematically review the grammatical patterns of regular verbs (shlemim), and learn the grammatical patterns of the irregular verbs (gzarot), as well as several other grammatical topics. After successful completion of this course, the foreign language requirement will be fulfilled (for students of Columbia College and other academic units that require a 4th-semester proficiency). Successful completion of this course also allows students to register in third-year Modern Hebrew.

Prerequisites: Elementary Persian II or the equivalent. This course involves reading, writing, translating, conversation and grammatical foundations for Persian Language (PL). The materials are selected from two books: Āmuzesh-e Fārsi: Intermediate Level (required) and English-Persian Dictionary, plus verb system and charts (recommended). These books are assigned and have to be available to every student. There are also handouts, which will be provided throughout the course. This course serves as intermediate and makes students able to read and compose proper Persian language as well as the colloquial one. No P/D/F or R credit is allowed for this class.

Required of all majors. Introduces theories of culture particularly related to the Middle East, South Asia. and Africa. Theoretical debates on the nature and function of culture as a symbolic reading of human collectivities. Examines critical cultural studies of the Middle East, South Asia, and Africa. Enables students to articulate their emerging knowledge of Middle East, South Asian, and African cultures in a theoretically informed language.

Historians frequently situate Armenia between two powers: between Rome and Persia, then Byzantium and Islam. This class will shake up the usual “between-two-worlds” paradigm, which places Armenia and Armenians in the crosshairs of world powers. Instead, we will study Armenians as active participants in world dramas, at the center of global developments. Our main goal will be to draw upon a variety of sources to tell the story of Armenia and Armenians: histories, poems, art, coins, buildings, etc.  

Goals

• Critically assess what it means to study history. [Why are we learning this?]
• Analyze primary sources, whether written or material. [How can we study this?]
• Engage with modern scholarship on Armenian experiences. [How have other people studied this?]

How does anticolonialism shape the political present and future(s) of South Asia? This syllabus explores this question by reflecting on how political and social concepts formulated by anticolonial thought have impacted public life in South Asia in the last century. In particular, it explores how anticolonial concepts gain thicker meanings and implications through the experiences and challenges of constitutionalism and democracy in postcolonial societies.
This course explores themes such as Anticolonial Worldmaking, Anti-Caste Assertion, Founding Moments for Post-Colonial Democracies, Representation and Citizenship in Uneasily Secular Societies, the Everyday Life of the Law, Religious Nationalism, and recent debates on Environmental Rights and Data Privacy and Security. Each of these themes are designed to understand how anticolonialism, constitutionalism and democracy address the dilemmas of deep diversity in South Asia.

This class offers a survey of major works of twentieth-century South Asian literature. We will read
Raja Rao, Rokeya Hossain, Ismat Chughtai, Viswanadha Satyanarayana, Amrita Pritam, and
Romesh Gunesekera. Emphasis will be placed on studying the thematic, formal, and stylistic
elements of works and developing critical skills necessary for literary analysis. Works will engage
with questions of nation & nationalism, gender & sexuality, caste, environment, and literary history.

This seminar, designed for seniors, aims to acquaint students with the notion and theoretical understanding of culture and to introduce them to a critical method by which they can study and appreciate contemporary culture in the Arab World. The seminar will survey examples of written and cinematic culture (fiction and autobiography), as well as music, dance, and literary criticism in the contemporary Arab world. Students will be reading novels, autobioghraphies and literary criticism, as well as watch films and listen to music as part of the syllabus. All material will be in translation. Films will be subtitled. Songs will be in Arabic.

Prerequisites: minimum GPA of 3.5 in MESAAS courses. The MESAAS honors seminar offers students the opportunity to undertake a sustained research project under close faculty supervision. The DUS advises on general issues of project design, format, approach, general research methodologies, and timetable. In addition, students work with an individual advisor who has expertise in the area of the thesis and can advise on the specifics of method and content. The thesis will be jointly evaluated by the adviser, the DUS, and the honors thesis TA. The DUS will lead students through a variety of exercises that are directly geared to facilitating the thesis. Students build their research, interpretive, and writing skills; discuss methodological approaches; write an annotated bibliography; learn to give constructive feedback to peers and respond to feedback effectively. The final product is a polished research paper in the range of 40-60 pages. Please note: This is a one-year course that begins in the fall semester (1 point) and continues through the spring semester (3 points). Only students who have completed both semesters will receive the full 4 points of credit.

The aims of this seminar are 1) to introduce students to the broad parameters of urban South African history 2) to familiarize students with the immense creativity and resilience of African peoples, even in the most difficult colonial contexts 3) to illustrate how race, class and gender were socially, historically and politically constructed in South Africa 4) to guide students in the completion of an original research paper on some aspect of black South African urban life 5) to enhance student appreciation for the ways in which a researcher's perspective and interests influences their interpretation of sources 6) to make visible the ways in which research outcomes are shaped by a researcher's choice of source material 7) to develop student research and writing skills.

            This course provides only a bare introduction to the history of South Africa.  The chief aim is to provide students with a hands-on opportunity to conduct original research and to help students develop skills in documenting African agency and resilience in the face of colonial oppression, often by ‘reading between the lines’ of state-produced documents.

Advanced instruction in the Armenian dialect. No P/D/F or R credit is allowed for this class.

This 4000-level course examines how societies grapple with the legacy of mass violence, through an exploration of historical texts, memoirs, textbooks, litigation, and media reports and debates on confronting the past. Focusing on case studies of the Herero Genocide, the Armenian genocide during WWI, and the Holocaust and the Comfort Women during WWII, students investigate the crime and its sequelae, looking at how societies deal with skeletons in their closets ( engaging in silence, trivialization, rationalization, and denial to acknowledgment, apology, and repair); surveying responses of survivors and their descendants (with particular attention to intergeneration transmission of trauma, forgiveness, resentment, and the pursuit of redress); and dissecting public debates on modern day issues that harken back to past atrocities.

Since the ascent of Narendra Modi as Prime Minister of India in 2014, Hindu nationalism has dominated headlines concerning India across the globe. However, the influence that Hindu nationalism has had in shaping beliefs about citizenship, belonging, religion, and the nation has a history that predates the Modi regime by around a hundred and fifty years. This class will examine the history of Hindu nationalism from the nineteenth to the twenty-first century by examining primary texts and academic analysis. This class will not only read the writings of key Hindu nationalist thinkers but will also examine how different media and technologies have affected how Hindu nationalists communicate with different publics. In particular, this class will examine topics such as space/ geography, caste and community, gender, technology and media, and diasporic Hindutva.

This course is a broad cultural history of gender, sex, religion, and power in South Asia over the longue durée. Readings will examine these topics in early modern and modern Indian cultures and have been chosen not so much with a view toward comprehensiveness but for variety–– allowing us to explore gender and sexuality in diverse topics such as religion, literature, politics, visual culture, and historiography.

While helping students advance their levels of oral and written expression, this course focuses on literature of the modern and medieval periods, with particular emphasis on the development of the modern novella and traditional and new forms of poetry. In addition to literature, students are introduced to a wide variety of genres from political and cultural essays and blogs to newspaper translations of the early 20th century. They will be further exposed to ta´rof in reference to a wide variety of socio-cultural contexts and be expected to use ta´rof in class conversations. Students will be exposed to popular artists and their works and satirical websites for insight into contemporary Iranian culture and politics. No P/D/F or R credit is allowed for this class.

This seminar is based entirely on the primary sources of Ṣūfism, including the writings of Qushayrī, Nūrī, Muḥāsibī, Sarrāj, Ghazālī, Hujwīrī, Ibn ʿArabī, Suhrawardī, Shaʿrānī, and al-Ḥakīm al-Tirmidhī. We will explore how the leading Ṣūfīs saw themselves and the ways in which they articulated their identity. This is also articulated in the ways they organized their works and constructed the biographies of their ethical exemplars. We will study their major concepts and descriptions of their own experiences, and then theorize their subjective formations as “hermeneutics of the subject.” Inasmuch as this seminar is about how we study and view Ṣūfism, it is also as much about the various ways this conception of the world can inform a basis of a set of critiques of modernity and its epistemologies and practices.

COURSE DESCRIPTION

This graduate seminar situates the history of photography within the history of colonial productions of tropicality, and the concomitant occupation of tropical places. Specific regimes of vision accompanied the European conquest of peoples and lands, undergirded the racialization of bodies, and colluded in epistemic binaries of centers and peripheries. At the same time, modern visual media did not possess an intrinsically “colonial gaze.” Rather, many of the same apparatuses of seeing and representation proved to be powerful tools in the assertion of minoritized selves, be it in fugitive , playful, or explicitly confrontational forms. Our focus will be on 19th -20th century lens-based image production, particularly photography. Each week we will acquaint ourselves with concepts and methods that will help us read images, situate current decolonial debates in visual studies within older foundational debates on vision and visuality, and read key texts in historiography. Weekly readings are curated as per a spatial logic, retracing the itineraries of colonial adventurism and control: from the ship to the island, the plantation, the prison, and the laboratory. This seminar is designed mainly for doctoral students; Masters students can join with instructor permission.

LEARNING OUTCOMES

• Familiarity with foundational debates in photography studies.

• Ability to articulate the relationship between a history of vision, the production of space, and the epistemic techniques of colonialism.

• A comparative history of colonized islands and archipelagoes construed as “tropical.”

• Methods in postcolonial, anti-colonial, and decolonial reading of texts and images.

This course is designed to introduce graduate students to some of the key issues and terrains of scholarship in Swahili Coastal historiographies. Students will become familiar with some of the central intellectual debates and cornerstone texts, although the reading list is far from exhaustive. We will examine how some of the key issues and locations of research have shifted over time and discuss how and why national politics have shaped regional historiographies in the ways that they have. Of equal, or likely greater, importance is attention to how changes in intellectual theory and methods have impacted the form that scholarship has taken.