Music
For questions about specific courses, contact the department.
For questions about specific courses, contact the department.
Courses
Course Number
MUSI1001X001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 14:40-15:55We 14:40-15:55Section/Call Number
001/00578Enrollment
11 of 29Instructor
Gail ArcherCourse Number
MUSI1001X002Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 10:10-11:25Th 10:10-11:25Section/Call Number
002/00579Enrollment
19 of 25Instructor
Marilyn McCoy
Introduction to music, including notation, written and aural skills, and basic conceptual resources of music theory. Exploration of scale, mode, rhythm, meter, texture and form, with reference to a diverse range of musics.
Course Number
MUSI1002V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 13:10-14:25We 13:10-14:25Section/Call Number
001/10060Enrollment
20 of 24This course is an introduction to basic skills in sight reading. Instruction includes reading rhythms in simple meter, solfege recitation, and sight-singing simple melodies.
Course Number
MUSI1312V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Mo 12:10-13:00We 12:10-13:00Section/Call Number
001/10061Enrollment
0 of 14Course Number
MUSI1501X001Format
In-PersonPoints
2 ptsFall 2024
Section/Call Number
001/00580Enrollment
11 of 23Instructor
Gail ArcherCourse Number
MUSI1501X002Points
2 ptsFall 2024
Section/Call Number
002/00581Enrollment
4 of 25Instructor
Gail ArcherCourse Number
MUSI1593V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Tu 18:00-20:00Th 18:00-20:00Section/Call Number
001/00023Enrollment
7 of 90Instructor
Gail ArcherCourse Number
MUSI1595V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Tu 20:00-21:30Th 20:00-21:30Section/Call Number
001/00582Enrollment
1 of 30Instructor
Gail ArcherHow did Elvis become the “King of Rock’n’Roll” instead of, for example, Chuck Berry? Who are LaVern Baker, Sister Rosetta Tharpe, and Etta James and what do they have to do with rock and roll? Why and how did “rock and roll” become “rock”? What are the relationships among rock, rhythm and blues, soul, and funk? What do classical music composers such as J.S. Bach, Modest Mussorgsky, and Philip Glass have to do with rock? How many times has rock “died”? What is rock music’s relevance both historically and today? This course will introduce you to popular music studies, a field of inquiry that draws scholars from a number of different disciplines, including musicology, sociology, philosophy, anthropology and literature. Examining rock music in an interdisciplinary way has opened the genre to increasing attention beyond musicological methodologies and assumptions. First, however, we must ask some fundamental questions: for instance, what, exactly, is popular music as well as, importantly, what differentiates rock music from other genres? Our definitions will reveal some of the assumptions we bring to any discussion of popular music. Throughout this semester, we will question our assumptions about rock music culture through an investigation into a series of keywords. Each keyword will focus our attention on various aspects of rock music in order to think through the complexities of what might, on the surface, seem self-evident. Terms such as “genre” or “the everyday” will be examined to help us gain critical analytical tools with which to assess various rock music productions, artists, and processes.
Course Number
MUSI2010V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 16:10-18:40Section/Call Number
001/11802Enrollment
40 of 40Instructor
Kevin FellezsCourse Number
MUSI2020V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10062Enrollment
300 of 300Instructor
Christopher WashburneCourse Number
MUSI2021V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10063Enrollment
3 of 25Instructor
Aaron FoxAn introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment. Permission of Instructor required to enroll. Music Majors have priority for enrollment.
Course Number
MUSI2205V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10065Enrollment
0 of 18Instructor
Anna MeadorsAn introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment. Permission of Instructor required to enroll. Music Majors have priority for enrollment.
Course Number
MUSI2205V002Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 11:40-12:55We 11:40-12:55Section/Call Number
002/10066Enrollment
0 of 18Instructor
Anna MeadorsThis course will provide a critical survey of the development of electronic and computer music and sound from around the globe. From early experiments and precursors in the late 19th century through to modern-day experimental and popular music practices, this course aims to trace the development of technologies used in the production of electronic and computer derived sound and music alongside the economic, cultural, and social forces that contribute to the development of audiences. The course will focus intently on listening through a series of curated playlists in an effort to unpack style and genre distinctions. Readings and listening examples will be paired with small, hands-on assignments, that demonstrate the effect of music making tools on the process and structure of musical genres and styles ranging from the experimental practices of musique concrete, drone, and harsh noise to the mainstream practices of dub, techno, vaporwave, hyperpop, and hip hop and more.
Course Number
MUSI2230V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 14:40-15:55Th 14:40-15:55Section/Call Number
001/10067Enrollment
30 of 30Instructor
Seth CluettCourse Number
MUSI2314V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Tu 12:10-13:00Th 12:10-13:00Section/Call Number
001/10068Enrollment
0 of 14Course Number
MUSI2314V002Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Mo 12:10-13:00We 12:10-13:00Section/Call Number
002/10069Enrollment
0 of 14Course Number
MUSI2315V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Tu 12:10-13:00Th 12:10-13:00Section/Call Number
001/10070Enrollment
0 of 14Elementary analysis and composition in a variety of modal and tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Course Number
MUSI2318V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10071Enrollment
0 of 20Instructor
Peter SusserElementary analysis and composition in a variety of tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Course Number
MUSI2319V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 13:10-14:25We 13:10-14:25Section/Call Number
001/10072Enrollment
12 of 20Instructor
Cheng LimCourse Number
MUSI3036W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 14:40-15:55Th 14:40-15:55Section/Call Number
001/10298Enrollment
5 of 25Instructor
Elaine SismanCourse Number
MUSI3128V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 14:40-15:55Th 14:40-15:55Section/Call Number
001/10073Enrollment
31 of 35Course Number
MUSI3139X001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:55Th 13:10-14:55Section/Call Number
001/00583Enrollment
6 of 15Instructor
Jean-Paul BjorlinCourse Number
MUSI3140X001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Fr 10:00-13:00Section/Call Number
001/00587Enrollment
3 of 10Instructor
Coralie GalletThis course will explore the music of Johann Sebastian Bach from the perspective of performance. Attention will be given to Baroque dance forms and the social significance of dance in the 18th century, the art of rhetoric as a driving force for convincing delivery, an exploration of period instruments, and the study of elements of style such as articulation and ornamentation. The course consists of lectures, discussions, guided listening, score analysis, reading assignments, and performance projects. Aside from Bach’s scores, we will examine three key 17th- and 18th-century vocal and instrumental treatises, and a wide array of literature on rhetorical style and performance practice. Upon successful completion of the course, students will gain a deeper understanding of
interpreting the music of J.S. Bach and Baroque music in general, both as listeners and as performers.
Course Number
MUSI3213W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 14:40-15:55We 14:40-15:55Section/Call Number
001/10080Enrollment
9 of 14Instructor
Magdalena BaczewskaComposition in more extended forms. Study of advanced techniques of contemporary composition. Readings of student works.
Course Number
MUSI3241V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 10:10-11:25We 10:10-11:25Section/Call Number
001/10058Enrollment
0 of 12Instructor
Zosha Di CastriCourse Number
MUSI3316V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Mo 12:10-13:00We 12:10-13:00Section/Call Number
001/10074Enrollment
0 of 14Instructor
Peter SusserCourse Number
MUSI3317V001Format
In-PersonPoints
1 ptsFall 2024
Times/Location
Tu 12:10-13:00Th 12:10-13:00Section/Call Number
001/10075Enrollment
1 of 14Instructor
Peter SusserIntermediate analysis and composition in a variety of tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Course Number
MUSI3321V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 13:10-14:25We 13:10-14:25Section/Call Number
001/10076Enrollment
17 of 20Instructor
Joseph DubielIntermediate analysis and composition in a variety of tonal and extended tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Course Number
MUSI3322V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10077Enrollment
5 of 20Instructor
Cheng LimGenre greatly shapes the way music is created, produced, marketed, and consumed. And yet, genre is more than just a tool to categorize music: These groupings often reveal complex socio-cultural constructs that replicate cultural beliefs about identity and society. This course explores genre as a multifaceted concept within 20th- and 21st- century popular music in the U.S. by examining how these categories are socially and musically constructed, defined, and transformed throughout history. This course investigates how genre has changed from the time of vinyl records to streaming platforms through a blend of lectures, discussions, and listening sessions. We will explore how scholars across numerous disciplines conceive of genre in popular music through interdisciplinary readings and writing activities. This course promises to broaden your understanding of genre while enhancing your personal listening practice as we unravel the tapestry to reveal how genre shapes the musical world around us—all the while exploring if genre truly matters. There are no prerequisites, and a prior knowledge of music or ability to read Western music notation is not required.
Course Number
MUSI3326W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 11:40-12:55Th 11:40-12:55Section/Call Number
001/14819Enrollment
10 of 12Instructor
Lauren ShepherdCourse Number
MUSI3400V001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 16:10-17:25Th 16:10-17:25Section/Call Number
001/10078Enrollment
16 of 30Instructor
Ruth OparaCourse Number
MUSI3990X001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/00586Enrollment
0 of 2Instructor
Gail ArcherCourse Number
MUSI3992X001Format
In-PersonPoints
4 ptsFall 2024
Times/Location
We 10:10-12:00Section/Call Number
001/00585Enrollment
5 of 15Instructor
Lauren NinoshviliCourse Number
MUSI3995W001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/10094Enrollment
0 of 5Instructor
Susan BoyntonCourse Number
MUSI3995W002Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
002/10095Enrollment
0 of 5Instructor
Alessandra CiucciCourse Number
MUSI3995W003Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
003/10096Enrollment
0 of 5Instructor
Zosha Di CastriCourse Number
MUSI3995W004Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
004/10097Enrollment
0 of 5Instructor
Julia DoeCourse Number
MUSI3995W006Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
006/10098Enrollment
0 of 5Instructor
Kevin FellezsCourse Number
MUSI3995W007Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
007/10099Enrollment
0 of 5Instructor
Aaron FoxCourse Number
MUSI3995W008Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
008/10100Enrollment
0 of 5Instructor
Walter FrischCourse Number
MUSI3995W009Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
009/10101Enrollment
0 of 5Instructor
Bradford GartonCourse Number
MUSI3995W010Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
010/10102Enrollment
0 of 5Instructor
Giuseppe GerbinoCourse Number
MUSI3995W011Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
011/10103Enrollment
0 of 5Instructor
Georg Friedrich HaasCourse Number
MUSI3995W012Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
012/10104Enrollment
0 of 5Instructor
Marcos BalterCourse Number
MUSI3995W013Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
013/10105Enrollment
0 of 5Instructor
Mariusz KozakCourse Number
MUSI3995W015Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
015/10106Enrollment
0 of 5Instructor
Jeffrey MilarskyCourse Number
MUSI3995W016Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
016/10107Enrollment
0 of 5Instructor
Seth CluettCourse Number
MUSI3995W017Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
017/10108Enrollment
0 of 5Instructor
Elaine SismanCourse Number
MUSI3995W018Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
018/10109Enrollment
0 of 5Instructor
Benjamin SteegeCourse Number
MUSI3995W019Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
019/10110Enrollment
0 of 5Instructor
Magdalena BaczewskaCourse Number
MUSI3995W020Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
020/10111Enrollment
0 of 5Instructor
Peter SusserCourse Number
MUSI3995W021Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
021/10112Enrollment
0 of 5Instructor
Christopher WashburneCourse Number
MUSI3995W022Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
022/10113Enrollment
0 of 5Instructor
Knar AbrahamyanCourse Number
MUSI3995W023Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
023/10159Enrollment
0 of 5Instructor
Ruth OparaCourse Number
MUSI3998V001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/10114Enrollment
0 of 5Instructor
Susan BoyntonCourse Number
MUSI3998V002Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
002/10115Enrollment
0 of 5Instructor
Alessandra CiucciCourse Number
MUSI3998V003Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
003/10116Enrollment
0 of 5Instructor
Zosha Di CastriCourse Number
MUSI3998V004Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
004/10117Enrollment
0 of 5Instructor
Julia DoeCourse Number
MUSI3998V006Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
006/10118Enrollment
0 of 5Instructor
Aaron FoxCourse Number
MUSI3998V007Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
007/10119Enrollment
0 of 5Instructor
Kevin FellezsCourse Number
MUSI3998V008Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
008/10120Enrollment
0 of 5Instructor
Walter FrischCourse Number
MUSI3998V009Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
009/10121Enrollment
0 of 5Instructor
Bradford GartonCourse Number
MUSI3998V010Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
010/10122Enrollment
0 of 5Instructor
Giuseppe GerbinoCourse Number
MUSI3998V011Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
011/10123Enrollment
0 of 5Instructor
Georg Friedrich HaasCourse Number
MUSI3998V012Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
012/10124Enrollment
0 of 5Instructor
Marcos BalterCourse Number
MUSI3998V013Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
013/10125Enrollment
0 of 5Instructor
Mariusz KozakCourse Number
MUSI3998V015Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
015/10126Enrollment
0 of 5Instructor
Jeffrey MilarskyCourse Number
MUSI3998V016Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
016/10127Enrollment
2 of 5Instructor
Seth CluettCourse Number
MUSI3998V017Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
017/10128Enrollment
0 of 5Instructor
Elaine SismanCourse Number
MUSI3998V018Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
018/10129Enrollment
0 of 5Instructor
Benjamin SteegeCourse Number
MUSI3998V019Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
019/10130Enrollment
0 of 5Instructor
Magdalena BaczewskaCourse Number
MUSI3998V020Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
020/10131Enrollment
0 of 5Instructor
Peter SusserCourse Number
MUSI3998V021Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
021/10132Enrollment
0 of 5Instructor
Christopher WashburneCourse Number
MUSI3998V022Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
022/10133Enrollment
0 of 5Instructor
Knar AbrahamyanCourse Number
MUSI3998V023Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
023/10160Enrollment
0 of 5Instructor
Ruth OparaCourse Number
MUSI3999X001Format
In-PersonPoints
4 ptsFall 2024
Section/Call Number
001/00584Enrollment
0 of 5Instructor
Gail ArcherWhy opera now? In what ways can a 400-year-old art form speak to the needs of contemporary society? This seminar provides an introduction to critical opera studies: we will analyze a broad range of lyric repertory (spanning from Monteverdi to Saariaho) while interrogating the debates these works have generated, both historically and in the present day. Topics to be considered include: operatic institutions and conventions; gender and voice; theories of “text” and liveness; modernist staging; the troubling legacies of Empire and exoticism; and the intersections of opera and multimedia (opera on/as film, opera in HD, site-specific opera). Wherever possible, this course will incorporate live performance in New York, engaging the Metropolitan Opera as well as institutions for “indie” opera and new music. While completion of Music Humanities is a suggested pre-requisite, this class welcomes interdisciplinary perspectives. Individual assignments may be tailored to accommodate student interests and backgrounds outside of the field of music.
Course Number
MUSI4108W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Th 16:10-18:00Section/Call Number
001/10081Enrollment
7 of 15Instructor
Julia DoeCourse Number
MUSI4122G001Format
In-PersonPoints
4 ptsFall 2024
Times/Location
Fr 13:00-15:00Section/Call Number
001/10083Enrollment
3 of 12Instructor
Susan BoyntonThis course explores diverse approaches to analyzing jazz and improvisation. Students will engage with analytical methods stemming from both scholars and improvisers, learn to apply traditional analytical approaches, examine critical issues underlying them, and develop new applications of heretofore underexamined ones. We will focus alternatively on harmony, solos, interaction, cognition, rhythm, and pedagogy, among other issues, and the survey will afford students insight into the priorities, methodologies, outcomes, and shortcomings of each of them. Additionally, the course covers theoretical texts produced by improvising musicians, as well as instances where improvisers engage with preexisting theoretical texts. Finally, we will also examine intersections between identity—encompassing issues such as race, ethnicity, gender, and class among others—and music theory. We will investigate characterizations of music theory, composition, and improvisation in terms of identity and suggest ways that we might incorporate the diverse range of theorists and analysts in our course into larger intellectual and musical histories.
Course Number
MUSI4308W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 16:10-17:25We 16:10-17:25Section/Call Number
001/10508Enrollment
12 of 25Instructor
Ole MathisenFashion has been integral to musical performance practices, and music continues to influence fashion. As a result, specific music genres and practitioners are linked to particular fashion trends and movements that represent their persona and appearance. In various cultures around the world, music and fashion play a significant role in marking identity, as practitioners’ cultural heritage impacts the choice of costumes they wear during performances in different spaces and times. Spread through live performances and mass-mediated technology, consumers and fans of these practitioners also adopt and integrate these fashion trends into their everyday styles. This class explores Some of the questions: How does fashion become a visual representation of specific music cultures, subcultures, genres, movements, and artists? How does fashion reflect, influence, inspire, evolve, spread, sustain, represent, affect, and communicate musical ideas? To answer these questions, musical fashion icons such as Beyoncé, Prince, Rihanna, Lady Gaga, and David Bowie, and genres like Hip Hop, rock, Opera, K-pop, Afrobeats, and other global genres are examined through written scholarships, analysis of music performances and costumes, and their appearances in events and everyday life. This class explores how fashion trends influence sounds and vice versa, how they mark identity through music, embody symbolic sounds, and attract music consumers and fans who perpetuate these trends.
Course Number
MUSI4418W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 12:10-14:00Section/Call Number
001/10189Enrollment
15 of 15Instructor
Ruth OparaCourse Number
MUSI4525W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 13:10-14:25Th 13:10-14:25Section/Call Number
001/10082Enrollment
5 of 25Instructor
Jeffrey MilarskyCourse Number
MUSI4630W001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 13:10-16:00Section/Call Number
001/10190Enrollment
0 of 15Instructor
David AdamcykCourse Number
MUSI4998W001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/10093Enrollment
0 of 5Instructor
Seth CluettThis course will explore plausible analytical responses to a selection of diverse sonic works from the past five decades, with emphasis on works that expand or challenge existing analytical methodologies and assumptions. The goal of this course is not to offer strict analytical models or standard procedures, but to foster analytical conversations that are pertinent to their subjects while broadening the understanding of what music analysis as it relates to new music can offer.
Course Number
MUSI6215G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Th 10:10-12:00Section/Call Number
001/10085Enrollment
2 of 12Instructor
Marcos BalterThis course provides an opportunity for students in the Music Department’s Composition DMA program to engage in off-campus practicum or internships in music composition for academic credit that will count towards the requirements for the degree.
Course Number
MUSI6290G001Points
1 ptsFall 2024
Section/Call Number
001/10086Enrollment
0 of 5Instructor
George LewisCourse Number
MUSI6333G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Th 12:10-14:00Section/Call Number
001/10087Enrollment
3 of 12Instructor
Knar AbrahamyanThis class explores advanced topics relating to the production of music by computer. Although programming experience is not a prerequisite, various programming techniques are enlisted to investigate interface design, algorithmic composition, computer analysis and processing of digital audio, and the use of computer music in contexts such as VR/AR applications. Check with the instructor for the particular focus of the class in an upcoming semester. Some familiarity with computer music hardware/software is expected. Permission of instructor is required to enroll.
Course Number
MUSI6610G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
We 18:10-20:00Section/Call Number
001/10084Enrollment
0 of 15Instructor
Bradford GartonCourse Number
MUSI8097G001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/10134Enrollment
0 of 5Instructor
Susan BoyntonCourse Number
MUSI8097G002Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
002/10135Enrollment
0 of 5Instructor
Alessandra CiucciCourse Number
MUSI8097G003Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
003/10136Enrollment
0 of 5Instructor
Julia DoeCourse Number
MUSI8097G005Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
005/10137Enrollment
0 of 5Instructor
Kevin FellezsCourse Number
MUSI8097G006Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
006/10138Enrollment
0 of 5Instructor
Aaron FoxCourse Number
MUSI8097G007Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
007/10139Enrollment
0 of 5Instructor
Walter FrischCourse Number
MUSI8097G008Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
008/10140Enrollment
0 of 5Instructor
Giuseppe GerbinoCourse Number
MUSI8097G009Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
009/10141Enrollment
0 of 5Instructor
Knar AbrahamyanCourse Number
MUSI8097G010Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
010/10142Enrollment
0 of 5Instructor
Mariusz KozakCourse Number
MUSI8097G013Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
013/10143Enrollment
0 of 5Instructor
Elaine SismanCourse Number
MUSI8097G014Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
014/10144Enrollment
0 of 5Instructor
Benjamin SteegeCourse Number
MUSI8097G015Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
015/10145Enrollment
0 of 5Instructor
Christopher WashburneCourse Number
MUSI8097G016Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
016/10161Enrollment
0 of 5Instructor
Ruth OparaCourse Number
MUSI8104G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
We 10:10-12:00Section/Call Number
001/10088Enrollment
0 of 12Instructor
Giuseppe GerbinoCourse Number
MUSI8231G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
We 15:10-17:00Section/Call Number
001/10089Enrollment
3 of 20Instructor
Georg Friedrich HaasZosha Di CastriMarcos BalterThis class is intended for students to develop composing skills for creating music “between the keys” (or “outside the keys”) of a traditionally tuned piano or organ. We will be analyzing relevant works and techniques of the present and of the past. Students compose and perform/present their own music influenced by these works and techniques. We will start with quartertones and with music independent from Western traditions.
Course Number
MUSI8240G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Tu 16:10-18:00Section/Call Number
001/10090Enrollment
0 of 12Instructor
Georg Friedrich HaasCourse Number
MUSI8319G001Format
In-PersonPoints
3 ptsFall 2024
Times/Location
Mo 14:10-16:00Section/Call Number
001/10299Enrollment
4 of 12Instructor
Benjamin SteegeIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G001Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
001/10146Enrollment
0 of 5Instructor
Susan BoyntonIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G002Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
002/10147Enrollment
0 of 5Instructor
Alessandra CiucciIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G003Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
003/10148Enrollment
0 of 5Instructor
Julia DoeIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G005Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
005/10149Enrollment
0 of 5Instructor
Kevin FellezsIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G006Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
006/10150Enrollment
0 of 5Instructor
Aaron FoxIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G007Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
007/10151Enrollment
0 of 5Instructor
Walter FrischIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G008Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
008/10152Enrollment
0 of 5Instructor
Giuseppe GerbinoIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G009Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
009/10153Enrollment
0 of 5Instructor
Knar AbrahamyanIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G010Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
010/10154Enrollment
0 of 5Instructor
Mariusz KozakIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G013Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
013/10155Enrollment
0 of 5Instructor
Elaine SismanIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G014Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
014/10156Enrollment
0 of 5Instructor
Benjamin SteegeIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
Course Number
MUSI8500G015Format
In-PersonPoints
3 ptsFall 2024
Section/Call Number
015/10157Enrollment
0 of 5Instructor
Christopher WashburneIndividual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.