Italian

The first half of a two-semester introduction to Italian, intended for students with no prior experience in the language.

The first half of a two-semester introduction to Italian, intended for students with no prior experience in the language.

An intensive course that covers two semesters of elementary Italian in one, and prepares students to move into Intermediate Italian.  Students will develop their Italian communicative competence through listening, (interactive) speaking, reading and (interactive) writing. The Italian language will be used for real-world purposes and in meaningful contexts to promote intercultural understanding. This course is especially recommended for students who already know another Romance language.  May be used toward fulfillment of the language requirement.

The first half of a one-year sequence in intermediate Italian for students who have completed Elementary Italian I and II or the equivalent.  

Prerequisites: ITAL UN1102 or the equivalent, with a grade of B+ or higher. An intensive course that covers two semesters of intermediate Italian in one, and prepares students for advanced language and literature study. Grammar, reading, writing, and conversation. Exploration of literary and cultural materials. This course may be used to fulfill the language requirement.

Prerequisites: Intermediate Italian II ITAL UN2102 or the equivalent. UN3334x-UN3333y is the basic course in Italian literature. UN3333: This course, entirely taught in Italian, introduces you to Medieval and early modern Italian literature. It will give you the opportunity to test your ability as a close-reader and discover unusual and fascinating texts that tell us about the polycentric richness of the Italian peninsula. We will read poems, tales, letters, fiction and non-fiction, travel writings and political pamphlets. The great “Three Crowns” - Dante, Petrarca and Boccaccio - as well as renowned Renaissance authors such as Ludovico Ariosto and Niccolò Machiavelli, will show us the main path to discover Italian masterpieces and understand the European Renaissance. But we will also explore China with Marco Polo and the secrets of the Medieval soul diving into the mystical poems by Jacopone da Todi. We will study parody and laughter through the “poesia giocosa” (parodic poetry) by Cecco Angiolieri and the legacy of Humanism through the letters of Poggio Bracciolini. This first overview will allow you to explore Italian literature from its complex and multicultural beginnings to its diffusion across Europe during the Renaissance.

Everywhere in the world, the expression ‘Made in Italy’ evokes the idea of quality, elegance and unique taste. From food to wine, from artisanal craftmanship to fashion, from the automobile industry to the design, ‘Made in Italy’ means creativity, durability, and a guarantee of excellence. Today, Italy is the fourth largest economic power in Europe and many countries like the USA have long established economic relationships and partnership with it. While the English language has been increasingly used during these economic exchanges, a basic knowledge of Italian terminology within a context of commerce and trade is an important asset and a useful resource. Developing a strong understanding of the Italian business environment and its culture offers useful advantages for all those who want to create ties with or plan to work in the Italian business world in the future.

The course is open to all students who have completed the Italian intermediate level and would like to have an introduction to Italian language used for work and business. The course will be conducted as an intensive practice in the spoken and written language through assigned topics focusing on Italian business and related cultural themes. It will provide an overview of the job market world and the business environment in Italy, giving students the main tools to explore and interact appropriately in a professional environment. During the second half of the semester, the course will introduce students to the Made in Italy excellence and the history responsible for Italian Style’s world-renowned fame and high-demand. Students will learn how the concept of Made in Italy originated, look at the history of Italian style and its international value. The lessons in the second half of the semester will be integrated with interviews of people in Italy and in New York City working in businesses that sell or advertise Italian products. The interviews (one per week) will provide a direct look into the areas that are being discussed in class, so that students will have the opportunity to learn firsthand what it means to work in a business in Italy or with Italy, and with Italian products.

The purpose of this precept is to read short selections of the readings for this course in the original Italian, closely comparing these texts with their English counterparts. Attention will be paid to stylistic, syntactical, and grammatical characteristics of both languages, carefully considering questions of tone, register, cadence, idiomatic expressions, archaisms, and other elements of the translator’s task. In addition to discussing the readings, we will work in class on translating specific passages from Italian into English. Depending on the makeup of the class, the discussions will take place either fully in Italian or in a mix of Italian and English.

In the 1970s and 1980s a group of young Italian historians transformed the methods of historical inquiry and narrative. This class explores the origins, the diffusion, as well as the debate around Italian Microhistory across Europe and the United States. In particular, we will focus on “cultural” and “social” Microhistory and its evolution in Italy, France, and the US. We will read masterpieces such as Carlo Ginzburg’s The Cheese and the Worms, as well as Nathalie Zemon Davis’s The Return of Martin Guerrre. Also, we will analyze the current application of microhistorical methods to contemporary global history and the genre of biography. Topics include pre-modern popular culture and literacy, minority and marginality, the Inquisition, individual and collective identities, and the relation between the pre-modern Mediterranean, Europe and the world. In Italian.

This seminar will examine the concept of cultural heritage as a body of goods, tangible and intangible, that come to us from the past - sometimes from antiquity, sometimes from more recent historical periods - and for which we are responsible for the present and future generations. The environment is an important part of cultural heritage too, with nature and its peculiar beauties. Similarly, practices, traditions, crafts and customs are a crucial component of cultural heritage. Over time, cultural heritage has become an increasingly broad and complex category: experts, scientists and professionals involved continue to multiply, and the disciplines continue to specialize. Even the very concept of cultural heritage is quite dynamic and frequently modified and reinterpreted. Based on an anthropological perspective and within the framework of a cultural heritage considered among the most valuable in the arts, both visual and literary, Italy’s artistic, archaeological, library and archival treasures will be a regular source of analysis and discussion. This course will examine ways in which we can understand cultural heritage through the intersections of several components: identity, nationalism, colonialism, ethnicity, gender, and religion, just to mention a few. Students will take into account several elements: how regional and international agencies and policies operate and interact with each other, the many threats to cultural heritage (wars and conflicts, natural disasters, climate change, illicit trafficking, and some forms of tourism), and the role of sustainability. The course will encourage students to acquire analytical reasoning and critical thinking, through a combination of textual and visual interpretation and class discussion. There are no pre-requisites for this course. In English

While focusing on the Decameron, this course follows the arc of Boccaccios career from the Ninfale Fiesolano, through the Decameron, and concluding with the Corbaccio, using the treatment of women as the connective thread. The Decameron is read in the light of its cultural density and contextualized in terms of its antecedents, both classical and vernacular, and of its intertexts, especially Dantes Commedia, with particular attention to Boccaccios masterful exploitation of narrative as a means for undercutting all absolute certainty. Lectures in English; text in Italian, although comparative literature students who can follow with the help of translations are welcome.

While focusing on the Decameron, this course follows the arc of Boccaccios career from the Ninfale Fiesolano, through the Decameron, and concluding with the Corbaccio, using the treatment of women as the connective thread. The Decameron is read in the light of its cultural density and contextualized in terms of its antecedents, both classical and vernacular, and of its intertexts, especially Dantes Commedia, with particular attention to Boccaccios masterful exploitation of narrative as a means for undercutting all absolute certainty. Lectures in English; text in Italian, although comparative literature students who can follow with the help of translations are welcome.

 A variable-content course that rotates through various texts of Dante's and various areas of Dante studies. The fall 2026 course will be an in-depth reading of Inferno.