French and Romance Philology

Prerequisites: None.

Eligibility: This course is open to undergraduates, graduate students, and visiting students.

Based on a comparative and interdisciplinary approach, the city diplomacy course is designed to offer a general introduction to the international role of cities.

With its century-old history, city diplomacy represents a relatively recent dynamics in international relations. City diplomacy is generally considered to start in 1913 with the creation, at the Universal Exposition in the Belgian city of Ghent, of the first global city network, the Union Internationale des Villes.

Since its beginning, city diplomacy emerged as a field where cities’ values and idealism are implemented through a pragmatic and cooperative approach that progressively expanded its scope. The rise of such practice was driven by the desire to foster reconciliation among former enemies of the Second World War through direct interaction between residents in the framework of twinning agreements. A few years later, city diplomacy accompanied the process of decolonization by creating a solid bond of friendship between cities in former colonizing and colonized countries. In the 90s, city diplomacy widened its scope to include enhancing the city’s positioning in the global economy. Today, city diplomacy is best known for its impact in addressing the main transnational challenges (including climate change, migration, violent extremism, and urbanization) through a methodology featuring horizontal partnerships with cities from all over the world and a vertical, participatory approach engaging and empowering residents and local stakeholders.

Through an innovative approach cutting cuts across the boundaries of traditional disciplines (international relations, urban sociology, area studies, history, geography),  the course will combine the emerging scholarly literature with a comparative accent linked to the analysis of primary sources from cities and international actors from all regions of the world. As a result, students will learn to connect global and regional macro-dynamics with micro-transformations at the local level, while gaining an in-depth understanding of city diplomacy's core features, management, tangible impact, and evolution.

To enroll in this course, you must apply to the Columbia Summer in Paris Program through the Center for Undergraduate Global Engagement (UGE). Tuition charges apply; scholarships available.

Please note the program dates are different from the Summer Term A & B dates. 

This course explores the production of culture in the contemporary Maghreb. We consider how important dimensions of social and political life are explored in literature and film and, correspondingly, the role that these and other media play in shaping social and political dynamics. The focus is on Algeria, Tunisia and Morocco, but these nations are also situated in broader regional and global contexts. Former French colonies, these three nations  have in common a multilingual cultural environment in which French coexists with Arabic and Amazigh languages.

The course begins in roughly 1990, a time of disenchantment when the political regimes established at Independence were challenged and in some cases replaced. We explore the dynamics of Algeria’s ‘Black Decade’ and Morocco’s emergence from the ‘Years of lead,’ then turn to more recent social and political dynamics, notably the ‘Arab spring’ of 2011-2012 and the ongoing Algerian hirak. Throughout the course we consider how the arts have responded to and contributed to change while also revisiting the past and reframing national narratives.

The course is interdisciplinary, combining historical, sociological and anthropological approaches with close reading of texts and films. The syllabus is organized both historically and thematically. We explore questions including the representation and memory of violence, the geographies and sociology of migration and globalization, and the changing landscape of media and publication. Several sessions explore the meaning of ‘modernity’ in conjunction with explorations of subjectivity and spirituality, gender and sexuality.

This course combines history, literature and film to explore the complex question of return — as fantasy, policy, horizon, paradox, temporary practice or new departure. Drawing largely on Francophone and Arab perspectives, we will delve into the history of displacement and migrations, nostalgia and hauntings, to explore the many figures of return: the exile, the soldier, the transfuge, the impostor… We will range widely in time and space, from the Odyssey to Dahomey, from Martin Guerre to Ghassan Kanafani. We will study the shifting politics and affects that have attended ideas of return, from ancient arcadias to immigrant communities and repatriated works of art. Co-taught by a historian and a poet and featuring guest speakers and practitioners, this seminar offers a truly interdisciplinary approach to one of the most vexed questions of our time.

This seminar will explore the multidimensional interplay between collective memory, politics, and history in France since 1945. We will examine the process of memorializing key historical events and periods – the Vichy regime, the Algerian War, the slave trade – and the critical role they played in shaping and dividing French collective identity. This exploration will focus on multiple forms of narratives – official history, victims’ accounts, literary fiction – and will examine the tensions and contradictions that oppose them. The seminar will discuss the political uses of memory, the influence of commemorations on French collective identity, and the role played by contested monuments, statues and other “lieux de mémoire” (“sites of memory”). We will ask how these claims on historical consciousness play out in the legal space through an exploration of French “memorial laws”, which criminalize genocide denial and recognize slave trade as a crime against humanity. These reflections will pave the way to retracing the genesis of the “devoir de mémoire” (“duty to remember”), a notion that attempts to confer an ethical dimension to collective memory. The seminar will examine the multiple uses of the French injunction to remember – as a response to narratives of denial, as an act of justice towards the victims, and as an antidote to the recurrence of mass crimes and persecutions. We will examine how amnesty is used to reconcile conflicting collective memories and will evaluate the claim that the transmission 

This seminar will explore the multidimensional interplay between collective memory, politics, and history in France since 1945. We will examine the process of memorializing key historical events and periods – the Vichy regime, the Algerian War, the slave trade – and the critical role they played in shaping and dividing French collective identity. This exploration will focus on multiple forms of narratives – official history, victims’ accounts, literary fiction – and will examine the tensions and contradictions that oppose them. The seminar will discuss the political uses of memory, the influence of commemorations on French collective identity, and the role played by contested monuments, statues and other “lieux de mémoire” (“sites of memory”). We will ask how these claims on historical consciousness play out in the legal space through an exploration of French “memorial laws”, which criminalize genocide denial and recognize slave trade as a crime against humanity. These reflections will pave the way to retracing the genesis of the “devoir de mémoire” (“duty to remember”), a notion that attempts to confer an ethical dimension to collective memory. The seminar will examine the multiple uses of the French injunction to remember – as a response to narratives of denial, as an act of justice towards the victims, and as an antidote to the recurrence of mass crimes and persecutions. We will examine how amnesty is used to reconcile conflicting collective memories and will evaluate the claim that the transmission 

Advanced work in language skills. Readings in French literature. Prerequisites: FREN BC1203 or an appropriate score on the placement test.

NOTE: This course does not fulfill the Columbia College and GS language requirement.

Advanced work in language skills. Readings in French literature. Prerequisites: FREN BC1203 or an appropriate score on the placement test.

NOTE: This course does not fulfill the Columbia College and GS language requirement.

Advanced work in language skills. Readings in French literature. Prerequisites: FREN BC1203 or an appropriate score on the placement test.

NOTE: This course does not fulfill the Columbia College and GS language requirement.

Dans ce cours, nous examinerons le phénomène qui domine—et révolutionne—le discours philosophique, religieux, sociologique et politique au 18e siècle en Occident: les Lumières. Visant les dogmes jusque-là incontestables d'un Etat monarchique et d'une Eglise catholique autoritaires, ce mouvement réclame la liberté de la pensée et du culte; condamne l'intolérance religieuse, l’iniquité politique et le préjugé culturel; expose et déplore l’inégalité sociale; examine les bases de l’autorité politique; et subvertit par ses propos l'idéo. A l'exception d'un texte de l'Allemand Immanuel Kant, nous nous bornerons à lire des écrits des principaux philosophes francophones des Lumières (Voltaire, Diderot, et Rousseau), aussi bien que deux romans "dystopiques” (Charrière et de Sade), et deux textes politiques parus durant la Révolution française.

This seminar examines the history of the French language, both in France and in the many areas of the world in which French is a primary language. In the first part of the semester we engage in a chronological study of how the language emerged from a fusion of late medieval Latin with Germanic dialects to become a strong national institution. The development of the language is contextualized by consideration of the social and political history of France. We also devote two weeks of discussion to the situation of the French language today, with topics such as linguistic legislation, regional languages and dialects today, and gender inclusivity. This diachronic approach is carried over into the second part of the semester in which we concentrate on French in several regions outside of France including the Caribbean, North Africa, Central Africa, and North America.  Here we examine how the language was first introduced, what it represented at different moments in history, the relation of French to other languages, and the situation of French in the region today. Work for the course includes a digital project (digital timeline and map, and website) to document visually the presence of French in the world, across history and in the 21st century.

French majors will write their senior thesis under the supervision of the instructor.

A workshop in which students from the BC/CU community collaborate with a team of students from the École Normale Supérieure-Lyon on two translation projects. In addition to video-conferenced group sessions, students will work virtually with their translation partner in France, and consult in-person with their Barnard instructor. Prerequisite: completion of at least Intermediate II level of French. 

Prerequisites: completion of the language requirement in French or the equivalent. Conversation on contemporary French subjects based on readings in current popular French periodicals.

Prerequisites: completion of the language requirement in French or the equivalent. Conversation on contemporary French subjects based on readings in current popular French periodicals.

UN3405 enables students to hone and perfect their reading and writing skills while improving their ability to express and organize thoughts in French. In this engaging advanced language class, students are exposed to major texts in fields as diverse as journalism, sociology, anthropology, politics, literature, philosophy and history. Stimulating class discussions, targeted reviews of key grammatical points in context, and an array of diverse writing exercises all contribute to strengthen students’ mastery of the French language. This course also works as a bridge class between Intermediate French II and courses that focus on French and Francophone cultures, history and literature (such as 3409 and 3410). Students who take this class will be fully prepared to take advanced content classes or spend a semester in a Francophone country. This class is required for the French major and minor.

UN3405 enables students to hone and perfect their reading and writing skills while improving their ability to express and organize thoughts in French. In this engaging advanced language class, students are exposed to major texts in fields as diverse as journalism, sociology, anthropology, politics, literature, philosophy and history. Stimulating class discussions, targeted reviews of key grammatical points in context, and an array of diverse writing exercises all contribute to strengthen students’ mastery of the French language. This course also works as a bridge class between Intermediate French II and courses that focus on French and Francophone cultures, history and literature (such as 3409 and 3410). Students who take this class will be fully prepared to take advanced content classes or spend a semester in a Francophone country. This class is required for the French major and minor.

This class provides an introduction to the history of France and of the francophone world since the Middle Ages. It initiates students to the major events and themes that have shaped politics, society, and culture in France and its former colonies, paying special attention to questions of identity and diversity in a national and imperial context. Modules include a combination of lecture and seminar-style discussion of documents (in French).

This course is part of a two-course sequence and is a core requirement the French and Francophone Studies major.  

Who were the Gauls and when was Paris the "capital of modernity"? What caused the French and Haitian Revolutions? Why do the French care so much about religion, nation, empire or, for that matter, food and fashion? This class surveys the history of France and the Francophone world from the Middle Ages to the present. It provides an introduction to major events and ideas that have shaped the lives of millions of people in France and across the world, in its former colonies. From feudalism and absolutism to imperialism, capitalism, and republicanism, we explore how questions of identity and difference play out in politics, culture and society. The class is based in lecture and discussion and relies on close readings of primary sources. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course.

This class offers a survey of major works of French and francophone literature from the Middle Ages to the present. Emphasis will be placed on formal and stylistic elements of the works read and on developing the critical skills necessary for literary analysis. Works will be placed in their historical context.

This class offers students an introduction to major works that have marked the history of literature in French from the Middle Ages to the present. Our focus will be on close reading and discussion, but works will also be placed in historical context. We will look at a variety of literary genres (sonnet, short story, comedy, autobiography, narrative poetry, novel), and our readings will be complemented by visual materials such as paintings and films. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course. 

This contemporary French and Francophone literature course designed for undergraduate students is part of the “Choix Goncourt USA” (US Goncourt Prize Selection), an initiative led by the Goncourt Academy in France and the Cultural Services of the French Embassy (Villa Albertine) in the United States.

The course provides students with the unique opportunity to read the latest French contemporary fiction through the lens of critical literary tools, to experience being part of a selecting literary committee, to interview outstanding contemporary writers, and to practice writing book reviews, in addition to the more traditional essays and close readings. This course is entirely conducted in French (readings, discussions, and writing). 

This course explores the intersection of the French language, culture, and environmental issues, using readings, discussions, multimedia resources, and projects to enhance language skills. Students will study and debate topics such as climate change, sustainability, and conservation within the Francophone world, while expanding their vocabulary and improving their ability to analyze and discuss complex issues in French.
Students will apply their knowledge through hands-on assignments and projects, engaging with practical environmental challenges. They will also interact directly with environmental professionals through guest speakers, deepening their understanding of these issues and gaining valuable connections. Additionally, the Department of French is exploring the possibility of offering internships in New York during Spring 2026, related to environmental studies, as an extension of the course.

French and francophone literature from past centuries is replete with queer and feminist literary utopias. While some French-language authors have imagined fictional places where patriarchal structures have been weakened or reversed, others have imagined worlds in which the category of gender itself has been problematized or done away with. This course introduces students to the rich and long history of such texts from the middle ages to the present. Authors and filmmakers will include Christine de Pizan, George Sand, Alice Guy, Monique Wittig, Hélène Cixous, Léonora Miano, Mati Diop, Céline Sciamma and Paul Preciado. Class taught entirely in French.

The seminar prioritizes a particular branch of French-language film theory and criticism that broadly deals with aesthetics, at the expense of reception and apparatus theories. We follow its history from the silent film-era writings of Germaine Dulac and Jean Epstein to the intersection of film aesthetics and French theory in the work of Barthes, Deleuze, Lyotard, and Rancière, to the most recent inquiries into such notions as montage, découpage, and mise en scène (Aumont, Barnard, Kessler). Weekly films will accompany the readings in order to put pressure on theory, but also to help dissipate its excessive maleness. Because French film aesthetics has been influential around the world and—vice versa—because world cinema has been crucial for the development of French film aesthetics, we will also see American, Italian, Soviet, Japanese, Iranian, Malian, and Taiwanese films, in addition to French films.

All films will be presented with English subtitles. There are no prerequisites for the course, but students wanting to enroll must be committed to attending the Tuesday night 6–9pm screenings, in addition to the 12:10–2pm seminars on Wednesdays.

1. Course Description

Students curate, organize and attend a series of lectures open to all members of the French department, including graduate students, faculty and undergraduate majors/concentrators. Working with a faculty member, they invite two speakers each semester, collaborate on the scheduling and organization of talks, introduce guests and lead the discussion.

The lecture series exposes graduate students to new work in the field, including new methodologies and emerging areas of research and teaching. By giving students the opportunity to select speakers, it actively engages them in the cultural and intellectual life of the department. Students benefit from observing the different possible formats and styles of academic talks. By organizing and scheduling events, preparing speaker introductions and moderating questions and discussion, they also develop important professional skills.